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In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.A woman on the river-bank was flinging into the water, with devout unction, scraps of paper on which the name of Rama was written, rolled up in a paste made of flour. Not far from her another woman was praying; she stopped to wash her copper cooking-pots, then prayed again; gave her baby a bath, and then, squatting on the lowest step, prayed once more, and for a long time, after which she picked up her pots and her little one and went her way.The gardens are overgrown with exuberant tropical vegetation: orchids, daturas hung with their scented purple bells, gardenias and creepers; and yet what the brother of a London friend, on whom I am calling, shows me with the greatest pride, are a few precious geraniums, two real violets, and a tiny patch of thickly-grown lawn of emerald hue.
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ONE:Over the rice-fields, in the darkness, danced a maze of fire-flies, quite tiny, but extraordinarily bright; they whirled in endless streaks of flame, intangible, so fine that they seemed part of the air itself, crossing in a ceaseless tangle, faster and faster, and then dying out in diamond sparks, very softly twinkling little stars turning to silver in the moonlight."Would you be willing to pay thirty-five rupees?" TWO:


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THREE:And, quite unexpectedly, as we turned a corner beyond the coppersmiths' alley, we came on a row of tea-shops, displaying huge and burly china jars. Chinamen, in black or blue, sat at the shop doors in wide, stiff armchairs, their fine, plaited pigtail hanging over the back, while they awaited a customer with a good-humoured expression of dull indifference.

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THREE:The ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.

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THREE:Very gradually the measure quickened, the pitch grew shriller, and with faster and freer movements the bayadres were almost leaping in a sort of delirium produced by the increasing noise, and the constantly growing number of lights.

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THREE:[Pg 157]
THREE:We set out from Srinagar in an ekka, drawn at a trot by our only horse. The driver, perched on the shaft almost by his steed's side, dressed in green with an enormous pink pugaree, flogged and shouted incessantly. The monotonous landscape went on and on between the poplars that border the road, extending as far as the blue circle of distant Himalayas. The valley was green with the first growth of spring; as yet there were no flowers. And till evening fell, the same horizon shut us in with mountains that seemed to recede from us.
THREE:In the Begum's tomb the sarcophagus is on the ground, surrounded by a pale-tinted mosaic pavement. The windows, screened by pierced stone, admit a rosy light, and the walls are painted to imitate Persian tiles, with tall Cyprus trees in blue and green. Incense was burning in one corner, the[Pg 182] perfume mingling with that of the flowers, wafted in at every opening. Doors of massive cedar, carved with the patience of a bygone time, rattle on their hinges as the wind slams them to, but still endure, uninjured by ages.The play was Gul-E-Bakaoli.
THREE:Under the white dome a wooden ceiling, gilt in the hollows of the carving, has taken the place of an earlier ceiling of massive silver, worth seventy lacs of rupees, which was carried off by the conquerors after some long-ago seizure of the city. Inside, by way of walls, are carvings in marble of twisted lilies, inconceivably graceful and light. And then, at one of the entrances, those marble lattices, once gilt and now bereft of their gold, look just like topaz in the midday sun. After that magic splendour of gold and marbles fused to topaz and amber, the rest of the palacethe sleeping-rooms, the couches inlaid with mosaic flowers, the pierced stone balconies overlooking the Jumnaall seemed commonplace and familiar.Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo.
THREE:To the Chandni Chowkthe bazaar. In a miniature-painter's shop was a medley of ivories, of boxes inlaid with silver and ebony, and toys carved in sandal-wood.
THREE:An old man who sold us some shells, had, in the days of prosperity, made a little fortune by charming the sharks with spells and signs that kept them away from the boats, and from the naked and defenceless pearl-fishers as they plunged into the deep to seek the precious shells.[Pg 205]
ONE:Music attracted us to where the cross-roads met, darboukhas struck with rapid fingers and a bagpipe droning out a lively tune. The musicians sat among stones and bricks, tapping in quick time on their ass's-skin drums, beating a measure for some masons to work to. Women carried the bricks men spread the mortar; they all sang and worked with almost dancing movements in time with the music, as if they were at play.Here, a white marble mosque with three flights of open arcades, with white domes to roof it, is paved with rectangular flags, each bordered with a fillet of black marble ending in an arch-like point, immovable prayer-carpets turned towards Mecca. Behind the marble lattices that form one wall of this mosque, the women of the zenana come to hear the moollah recite prayer.

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ONE:Higher on the hills, amid the rich bright verdure of the tea-plantations, we find magnolias, pines, and the Campeachy medlar, all wreathed with climbing plants and invaded by the young growth of palms, by rattans which have succeeded in piercing the awning of parasites that hangs, starred with flowers, from tree to treeflowers like lamps shining among the ripe coco-nuts, mango fruit, and papaws.
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TWO:The hills are left behind us; the plateau of Cashmere spreads as far as the eye can see, traversed by the glistening Jellum, that slowly rolling stream, spreading here and there into lakes.

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A few officers, a few clergy only, had organized some distribution of relief; the administration,[Pg 197] wholly indifferent, was drawing double pay in consideration of the increase of work in famine time.

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